While still a teenager, the future Academy Award-winning lensman began as an assistant cameraman in 1923 on John Ford's 1924 western saga The Iron Horse. He was then hired by the Famous Players-Lasky Studios in 1927, became a camera operator in 1928 and worked there until 1943. Guffey was hired as a Director of Photography by Columbia Pictures in 1944. In 1957-58 he served as president of the American Society of Cinematographers (A.S.C.) for a year, and had been a long standing member. According to film critic Spencer Selby, Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950).
The Steagle
1971
Halls of Anger
1970
Where It's At
1969
The Split
1968
The Ambushers
1967
Bonnie and Clyde
1967
The Silencers
1966
King Rat
1965
Kid Galahad
1962
Mr. Sardonicus
1961
Homicidal
1961
Cry for Happy
1961
Hell to Eternity
1960
Edge of Eternity
1959
Gidget
1959
Dogface
1959
Screaming Mimi
1958
The Strange One
1957
Nightfall
1956
Storm Center
1956
Battle Stations
1956
Tight Spot
1955
The Violent Men
1955
Private Hell 36
1954
Human Desire
1954
The Last Posse
1953
The Sniper
1952
Scandal Sheet
1952
Two of a Kind
1951
Sirocco
1951
Convicted
1950
Framed
1947
Johnny O'Clock
1947
Gallant Journey
1946
Night Editor
1946
I Love a Mystery
1945
Eadie Was a Lady
1945
Tahiti Nights
1944
Sailor's Holiday
1944
The Informer
1935
The Conquerors
1932
Love Over Night
1928
The Iron Horse
1925


























































































