
Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young director Michael Powell.
Baroud
1932
The Magician
1926
Mare Nostrum
1926
The Arab
1924
Scaramouche
1923
Trifling Women
1922
The Day She Paid
1919
Humdrum Brown
1918
Black Orchids
1917
Broken Fetters
1916
Baroud
1932
The Magician
1926
The Arab
1924
Trifling Women
1922
Black Orchids
1917
Broken Fetters
1916
The Galley Slave
1915


































