From Wikipedia, the free encyclopedia. Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Golem
1960
Bright Leaf
1950
Montana
1950
Key Largo
1948
Wallflower
1948
That Hagen Girl
1947
Undercurrent
1946
Two Smart People
1946
Without Love
1945
A Guy Named Joe
1944
Cry 'Havoc'
1943
A Yank at Eton
1942
Tortilla Flat
1942
Comrade X
1940
We Who Are Young
1940
Florian
1940
Green Hell
1940
Balalaika
1939
Barricade
1939
Golden Boy
1939
Tail Spin
1939
Three Comrades
1938
Man-Proof
1938
Conquest
1937
Parnell
1937
The Good Earth
1937
Camille
1936
Afraid to Talk
1932
Air Mail
1932
Back Street
1932
Scandal for Sale
1932
Personal Maid
1931
Up for Murder
1931
The Bad Sister
1931
Dracula
1931
Fräulein Else
1929
Lady Juan
1928
Metropolis
1927
Manon Lescaut
1926
Tartuffe
1926
Variety
1925
The Last Laugh
1924
Michael
1924
Lucrezia Borgia
1922
The Burning Soil
1922
Marizza
1922
Das blinde Glück
1922
Torgus
1921
The Rats
1921
The Boy in Blue
1921
The Lost Shadow
1921
Satan
1920
Intoxication
1919
The Giant's Fist
1917
Gefangene Seele
1917
The White Roses
1916
The Robber Bride
1916
Bummelstudenten
1916
A Venetian Night
1914
Zapata's Gang
1914
Little Angel
1914
The Suffragette
1913





















































































































