
Segundo de Chomón became involved in film through his coloring workshop in Barcelona, Spain. From October 1902 to March 1903, he collaborated with Pathé, adding color to some of their films in Barcelona. He began shooting films for Macaya & Marro in 1905; then, in the summer of 1906, he moved to Paris where he became a trick film specialist for Pathé. The body of work he created over five years was outstanding. De Chomón created fantastical narratives embellished with ingenious effects, gorgeous color, innovative hand-drawn, and puppet animation; tricks of the eye that surprise and delight, and startling turns of surreal imagination. De Chomón carried on as a filmmaker, specializing in trick effects, working for Pathé, Itala and others.
Lulù
1923
Metamorphoses
1912
Old Toledo
1912
Burgos
1911
A Fallen Spirit
1910
The Gold Spider
1909
Slippery Jim
1909
The Music Lesson
1909
A Panicky Picnic
1909
Magie moderne
1908
Secret Suitcase
1908
Haunted Castle
1908
Unusual Cooking
1908
Magic Dice
1908
Modern Sculptors
1908
Scullion's Dream
1908
The Frog
1908
Whimsical People
1908
The Magic Table
1908
Music, Forward!
1907
The Tulips
1907
The Cigar Box
1907
Easter Eggs
1907
Chrysanthemums
1907
Weird Fantasies
1907
The Red Spectre
1907
Wonderful Flames
1907
Haunted Kitchen
1907
The Charmer
1906
Magic Roses
1906
A Hundred Tricks
1906
Loïe Fuller
1905
Choque de trenes
1902
Maciste in Hell
1925
The Fire
1916
Cabiria
1914
Sleeping Beauty
1908
The Talisman
1907
The Tulips
1907
The Cigar Box
1907
Easter Eggs
1907
Haunted Kitchen
1907
Choque de trenes
1902





























































































