
Jun Fukuda was a Japanese film director, screenwriter and producer. Fukuda joined Toho in 1946 and ventured into the realm of assistant director, being taken under the wing by directors like Hiroshi Inagaki. By 1959, Fukuda began a career as a full-fledged director, his early work slanted more toward mystery, but then expand into more comedic work by the mid-1960s, such as the spy spoof Iron Finger (1965). He also wrote the screenplay for the unproduced The Invisible Man vs. the Human Torch. Fukuda would eventually be tasked to direct a Godzilla movie, Ebirah, Horror of the Deep (1966). Fukuda would go on to direct various entries in Toho's popular Young Guy series and Konto 55, however he would be best known for his Godzilla work, becoming the "go to" director for special effects productions after Ishirō Honda. Fukuda famously harbored a harsh view of his work in the Godzilla series saying, "The monsters became the stars, and the human characters were put into the background." and "I give all of my Godzilla films a minus score." Despite the distain he felt towards his work, he was pleasantly surprised to find fans who enjoyed his film and who sent him well wishing cards near the end of his life.
Monkey
1978
The War in Space
1977
ESPY
1974
Zone Fighter
1973
City of Beasts
1970
Golden Eyes
1968
Son of Godzilla
1967
The Mad Atlantic
1966
Ironfinger
1965
College Champ
1962
Counterstroke
1962
First Love Story
1957
Rodan
1956
Red-Light Bases
1953
Zone Fighter
1973





















































