
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Brise-glace
1990
Cousin, cousine
1987
Enigma
1986
Makwayela
1977
The Year 01
1973
Boukoki
1973
VW-Voyou
1973
Horendi
1972
Little by Little
1970
Mya - la mère
1970
Jaguar
1967
Daouda Sorko
1967
The Lion Hunters
1966
Six in Paris
1965
Gare du Nord
1965
That Tender Age
1964
Hampi
1962
The Punishment
1962
I, a Negro
1959
Moro Naba
1958
Baby Ghana
1957
The Mad Masters
1955
Mammy Water
1953
The Rainmakers
1951
Circumcision
1949
Brise-glace
1990
Little by Little
1970
Six in Paris
1965
Gare du Nord
1965
The Punishment
1962
I, a Negro
1959
Mammy Water
1953
Brise-glace
1990
































































































