Biography
Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer. He invented the Schüfftan process, a special effects technique that employed mirrors to insert actors into miniature sets. One of the first uses of the process was for Metropolis (1927), directed by Fritz Lang. The technique was widely used throughout the first half of the 20th century until it was supplanted by the travelling matte and bluescreen techniques. Schüfftan won the 1962 Academy Award for Best Cinematography, Black-and-White for his work on the film The Hustler. From Wikipedia.
Camera 54
1960s
- 1966
Chappaqua
Camera Operator
The Doctor Speaks Out
Director of Photography
- 1965
Three Rooms in Manhattan
Director of Photography
- 1964
The Big Scare
Director of Photography
Lilith
Director of Photography
- 1963
The Virgins
Director of Photography
- 1961
- 1960
A Couple
Director of Photography
1950s
- 1959
The Bloody Brood
Director of Photography
Head Against the Wall
Director of Photography
- 1958
The First Night
Director of Photography
- 1957
- 1954
A Parisian in Rome
Director of Photography
- 1953
The Venus of Tivoli
Director of Photography
The Crimson Curtain
Director of Photography
Mina de Vanghel
Director of Photography
- 1952
The Respectful Prostitute
Director of Photography
- 1950
Gunman in the Streets
Director of Photography
1940s
- 1948
Women in the Night
Director of Photography
- 1946
- 1945
Club Havana
Director of Photography
- 1944
Bluebeard
Director of Photography
- 1943
Hitler's Madman
Director of Photography
- 1940
There's No Tomorrow
Director of Photography
The Emigrant
Director of Photography
1930s
- 1939
María de la O
Director of Photography
- 1938
The Shanghai Drama
Director of Photography
Port of Shadows
Director of Photography
Hatred
Director of Photography
- 1937
Forfaiture
Director of Photography
Bizarre, Bizarre
Director of Photography
Yoshiwara
Director of Photography
Street of Shadows
Director of Photography
- 1936
The Trouble with Money
Director of Photography
The Tender Enemy
Director of Photography
The Invader
Director of Photography
- 1934
The Slump Is Over
Director of Photography
- 1933
High and Low
Director of Photography
Invisible Opponent
Director of Photography
The Oil Sharks
Director of Photography
- 1932
Queen of Atlantis
Director of Photography
The Mistress of Atlantis
Director of Photography
- 1931
I'd Rather Have Cod Liver Oil
Director of Photography
Popular Tune
Director of Photography
- 1930
The Stolen Face
Director of Photography
Farewell
Director of Photography
1920s
- 1929
Jagd auf dich
Director of Photography
- 1926
Manon Lescaut
Additional Photography
Other crew 5
1960s
- 1963
Captain Sindbad
Cinematography
1950s
- 1954
1940s
- 1944
Voice in the Wind
Technical Advisor
1920s
- 1927
Visual effects 3
1940s
- 1946
Directed 2
1930s
- 1931
Into the Blue
Director
Produced 2
Art department 2
1940s
- 1948
Women in the Night
Set Decoration, Art Direction
- 1944
Bluebeard
Production Design