
Ashish Avikunthak (February 11, 1972) is an Indian avant-garde filmmaker, film theorist, archaeologist and cultural anthropologist. He is considered to be an iconoclastic film artist who works outside Indian mainstream cinema. His films explore Indian philosophy and existentialism and are categorized by their use of unorthodox cinematography and editing. Avikunthak films are rooted in Indian religion, epistemology, ritual and form. ArtReview describes his works as: “Avikunthak's works insist on an Indian epistemology while utilising a rigorously formal visual language that is clearly aware of Western avant-garde practices such as those of Andrei Tarkovsky and Samuel Beckett. These are self-consciously difficult works that are filmed in a self-consciously beautiful way.”
Devastated
2024
Rati Chakravyuh
2014
Katho Upanishad
2011
Vakratunda Swaha
2010
Shadows Formless
2007
End Note
2005
Dancing Othello
2002
Performing Death
2001
Kalighat Fetish
1999
Et cetera
1997
Devastated
2024
Rati Chakravyuh
2014
Katho Upanishad
2011
Vakratunda Swaha
2010
Shadows Formless
2007
End Note
2005
Dancing Othello
2002
Kalighat Fetish
1999
Et cetera
1997















