
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
1967
2015
Narcolepsy
2011
The Feature
2008
Polaroid Cocaine
1993
Roman Variations
1991
Brooding Angels
1988
Talking Head
1981
Jesus
1979
My Love
1978
Made for Denise
1977
Cleopatra
1970
Keeping Busy
1969
The Feature
2008
Jesus
1979
The Feature
2008
























