
Stéphane de Rosti was born in Alexandria. His father, Stéphane Rosti senior, an Austrian Baron, who married an Italian, bought her palace in Shoubra and decided to live there. As the mother was about to give birth to her child, the father returned to Vienna in obedience to his Aristocratic family. When Stéphane Rosti was born, she gave him his father’s name. He lived with his mother in Shoubra, and went to al-Khedeweyya school. When he got his school certificate, he decided to try to meet his father. At the same time, he got in touch with an Austrian ballet dancer in “Teatro Abbas” with whom he travelled to Vienna. He managed to meet his father there but eventually fell from favor because of his relation with the dancer, in addition to his Artistic tendencies. It was in Europe that Stéphane met the director Muhammad Kareem, was studying cinema in Germany at the time, who helped him to return to Egypt. In 1917, Rosti met Aziz Eid who was about to form his own theatrical troupe. Later, Rosti together with Nagueeb al-Rehaany presented the operetta “Al-‘ashara al-tayyeba i.e. Ten of hearts (1920)”. It was his activity in Ramsis troupe that made his colleague ‘Azeeza Ameer decide to let him complete what was considered the first Egyptian feature film “Nedaa Allaah i.e. The call of God (1927)”, eventually changed to “Laila” in 1927. The Turkish director Wedaad ‘Orfy was supposed to direct the film but he clashed with Azeeza Ameer. In addition to “Laila”, Rosti directed five films and was co-writer of six others. However, his reputation rests heavily on his acting career. Even though he was famous for playing the villain, he used to interpret such roles with a unique sense of humor that made the audience sometimes actually like and sympathize with his character. He succeeded in combining the villain and comedian, to become a comic villain. He used to take part in the writing of his character and add some words that usually became a feature of his character. It is a measure of his success that some of his lines are still remembered until this very day. Would always be remembered also for his unique accent and tone of voice especially when playing a foreigner. In 1936, Stéphane Rosti married an Italian lady called Marina, they stayed together until he died on 12 May 1964, while shooting the last scenes of “Hekaayaat noss al-leil i.e. Midnight tales”.
Akher Shakawa
1964
Midnight story
1964
El Nashal
1963
Al-Torgoman
1961
The Impostor
1961
لا تذكريني
1961
No return
1961
Ladies Barber
1960
Katia tarik
1959
Poor Millionaire
1959
Sayedat el kasr
1958
Abul Eyoun Garia
1958
Habibi El Asmar
1958
Hob Min Narr
1958
Tamarind
1957
Zanuba
1956
Kefaya ya Ein
1956
Confused Hearts
1956
Samara
1956
Love and Tears
1955
أهل الهوى
1955
Soul lover
1955
Araess fil mazad
1955
The Country Girl
1954
Women Can’t Lie
1954
Sheikh Hassan
1954
April Fool
1954
Raqsat Al Wadah
1954
Have Mercy
1953
Son of the Rich
1953
Hakam Qaraqush
1953
Night Train
1953
Halal Aleik
1952
Good News
1952
Believing in God
1952
Tell No One
1952
Lailet El Henna
1951
Battle of life
1950
The Last Lie
1950
The Millionaire
1950
Maalesh Ya Zahar
1950
Tough Road
1950
Baladay wakhifa
1950
Shore of Love
1950
Tears of joy
1950
Eid Night
1949
Agaza Fi Gohanam
1949
Anbar
1948
Love and Youth
1948
ابن عنتر
1947
Abu halmos
1947
Ashab El Saadah
1946
Ahlahom
1945
Salamah
1945
El Mazaher
1945
Victims of Love
1944
abn albalad
1942
Mr. Omar
1941
The workshop
1940
In a rainy night
1939
أنا طبعي كده
1938
Salama Is Fine
1937
Hymn of Hope
1937
Antar Effendi
1935
Laila
1927
The Call of God
1926



























































































