
Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told The Literary Digest: "My fake name is properly pronounced vor'shack. The D remains silent." Dvorak was the daughter and only child of silent film actress Anna Lehr and director Edwin McKim. While in New York, she attended St. Catherine's Convent. After moving to California, she attended Page School for Girls in Hollywood. She made her film debut when she was five years old in the silent film version of Ramona (1916), credited as "Baby Anna Lehr". She continued in children's roles in The Man Hater (1917) and Five Dollar Plate (1920), but then stopped acting in films. Her parents separated in 1916 and divorced in 1920; she did not see her father again until 13 years later, when she made a public plea to the press to help her find him. In the late 1920s, Dvorak worked as a dance instructor and gradually began to appear on film as a chorus girl. Her friend, actress Karen Morley, introduced her to billionaire movie producer Howard Hughes, who groomed her as a dramatic actress. She was a success in such pre-Code films as Scarface (1932) as Paul Muni's sister; in Three on a Match (1932) with Bette Davis and Joan Blondell as the doomed, unstable Vivian; in The Crowd Roars (1932) with James Cagney; and in Sky Devils (1932) opposite Spencer Tracy. Known for her style and elegance, she was a popular leading lady for Warner Bros. during the 1930s, and appeared in numerous contemporary romances and melodramas. At age 19, Dvorak eloped with Leslie Fenton, her English co-star from The Strange Love of Molly Louvain (1932), and they married on March 17, 1932. They left for a year-long honeymoon in spite of her contractual obligations to the studio, which led to a period of litigation and pay disputes during which she discovered she was making the same amount of money as the boy who played her son in Three on a Match. She completed her contract on permanent suspension, then worked as a freelancer. Although she worked regularly, the quality of her scripts declined sharply. She appeared as secretary Della Street to Donald Woods' Perry Mason in The Case of the Stuttering Bishop (1937). With her then-husband, Leslie Fenton, Dvorak traveled to England where she supported the war effort by working as an ambulance driver and acted in several British films. She appeared as a saloon singer in Abilene Town with Randolph Scott and Edgar Buchanan, released in 1946. The following year she adeptly handled comedy by giving an assured performance in Out of the Blue (1947). In 1948, Dvorak gave her only performance on Broadway in The Respectful Prostitute. Dvorak's marriage to Fenton ended in divorce in 1946. In 1947, she married Igor Dega, a Russian dancer who danced with her briefly in The Bachelor's Daughters. The marriage ended two years later. Dvorak retired from the screen in 1951, when she married her third and last husband, Nicholas Wade, to whom she remained married until his death in 1975. She had no children.
Our Very Own
1950
The Long Night
1947
Out of the Blue
1947
Abilene Town
1946
Escape to Danger
1943
This Was Paris
1942
Cafe Hostess
1940
Blind Alley
1939
Merrily We Live
1938
She's No Lady
1937
Midnight Court
1937
Racing Lady
1937
Thanks a Million
1935
Dr. Socrates
1935
Bright Lights
1935
'G' Men
1935
Sweet Music
1935
I Sell Anything
1934
Side Streets
1934
Housewife
1934
Midnight Alibi
1934
Heat Lightning
1934
Massacre
1934
College Coach
1933
The Way to Love
1933
Hello Pop
1933
Three on a Match
1932
Crooner
1932
Love is a Racket
1932
The Crowd Roars
1932
Scarface
1932
Sky Devils
1932
The Guardsman
1931
This Modern Age
1931
Stranger in Town
1931
Son of India
1931
Politics
1931
Madam Satan
1930
Good News
1930
Way Out West
1930
Estrellados
1930
Free and Easy
1930
A Lady to Love
1930
The Woman Racket
1930
Chasing Rainbows
1930
Devil-May-Care
1929
The Doll Shop
1929
The Man Hater
1917
Ramona
1916





















































































