
Egyptian director, editor and producer, born on February 5, 1919 in the village of (Amrous), Menoufia Governorate. He got his baccalaureate (high school) certificate in 1937, and he joined the College of Law (Law), but he was a general who left it and started in this period his passion for cinema and decided to become an actor so he sent his photo to the famous director (Muhammad Karim) who did not find his face fit to be an actor, so the Sheikh took advantage of his relationship At the time, the Minister of War (Haider Pasha) to mediate with him in order to enter the cinematic milieu, and he introduced him to the poet (Khalil Mutran), who in turn knew him on the director (Ahmed Salem), who was then director of (Studio Egypt), so he joined him as a montier under the direction of the director (Niazi Mustafa). During that period, Kamal Al-Sheikh participated as a monteire in several important films such as: (Laila Bint Al-Fakra) 1945, (My Heart Delilah) 1947, (Ghazal Al-Banat) 1949, (Avocato Madiha) 1950, and (The emergence of Islam) 1951. 1952 witnessed Kamal Al-Sheikh directing his first movie entitled (Home No. 13) starring: (Imad Hamdi, Faten Hamama), which achieved great success when presenting his reliance on a plot characterized by suspense, excitement and a police atmosphere. He also presented the movie (Life or Death) 1954 starring (Emad Hamdi, Madiha Yousry), which was chosen among the list of the best hundred films in Egyptian cinema. Kamal Al-Sheikh is considered one of the first directors who presented literature (Naguib Mahfouz) to the cinema, with his movie (The Thief and the Dogs) in 1962, and he also presented the novel (Miramar) in a movie of the same name in 1969. He also presented literary works in cinematic films to other writers such as: (Ihsan Abdul Quddus, Fathi Ghanem, Saleh Morsi, ... and others). He was rated as a director of thriller and suspense films, such as (Last Night) 1963, (Peacock) 1982, and others. But he also excelled in presenting the political movie, such as: (sunset and sunrise) 1970 (something in my chest) 1971, (On Whom We Shoot) 1975, and (Ascending to the Abyss) 1978, which was considered the best spy film presented in the Egyptian cinema. Kamal Al Sheikh married Montira (Amira Salem), whose brother (Saeed Al Sheikh) shared the editing of most of his films. He also was known in the fifties and early sixties as "Hitchcock Egypt" because of his influence with the well-known British director cinema Alfred Hitchcock and his interest in police films that rely on the plot. Kamal Al-Sheikh died on January 2, 2004 at the age of 85.
Time Conqueror
1987
The Peacock
1982
The Fugitive
1974
Deprivation Well
1969
Miramar
1969
The Vandals
1967
Unfaithful
1965
The Little Devil
1965
The Last Night
1963
I Won't Confess
1961
My Only Love
1960
Angel and Devil
1960
For My Love
1959
Qalb Yahtarek
1959
Sayedat el kasr
1958
الملاك الصغير
1957
Traders of Death
1957
Land of Peace
1957
Land of Dreams
1956
The Stranger
1956
Love and Tears
1955
Life or Death
1954
A Plot
1953
House No. 13
1952
Gold
1953
Bent Al-Akaber
1953
The Great Clown
1952
Tell No One
1952
Qattr El-Nada
1951
Habib el-Rooh
1951
Lailet El Henna
1951
Yasmine
1950
Women's guile
1950
Shore of Love
1950
Eid Night
1949
Anbar
1948
Fatmah
1947
Malak alrahma
1946
The Unknown Past
1946
Casino el latafa
1945
Laylat Al-Jumea
1945
El Mazaher
1945
Victims of Love
1944
Hanan
1944
The Innocent
1944
Who's Done it ?
1944
Les Misérables
1943
Forever
1941

































































