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Rudolph Maté

Rudolph Maté

1898–1964 · Krakau, Galicia, Austria-Hungary [now Kraków, Malopolskie, Poland]

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Biography

​From Wikipedia, the free encyclopedia Rudolph Maté, A.S.C. (21 January 1898 – 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director. Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films. Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944). In 1947, he turned to directing films, his credits include When Worlds Collide (1951), the film noir classic D.O.A. and No Sad Songs for Me (both 1950). Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese. He died from a heart attack in Hollywood on October 27, 1964 at the age of 66. Description above from the Wikipedia article Rudolph Maté, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Camera 42

1930s

  1. 1939
  2. 1938

    Trade Winds

    Director of Photography

  3. Blockade

    Director of Photography

  4. 1937
  5. Outcast

    Director of Photography

  6. 1936
  7. Our Relations

    Director of Photography

  8. A Message to Garcia

    Director of Photography

  9. Charlie Chan's Secret

    Director of Photography

  10. 1935

    Professional Soldier

    Director of Photography

  11. Metropolitan

    Director of Photography

  12. Navy Wife

    Director of Photography

  13. Dressed to Thrill

    Director of Photography

  14. 1934

    The Last Billionaire

    Director of Photography

  15. 1933

    Song of the Streets

    Director of Photography

  16. 1932

    Insult

    Director of Photography

  17. Aren't We All?

    Director of Photography

  18. 1930

    Miss Europe

    Director of Photography

1920s

  1. 1928
  2. 1924

    Michael

    Director of Photography

  3. 1923

    The Jew of Mestri

    Director of Photography

Directed 29

1960s

  1. 1963

    Aliki My Love

    Director

  2. 1962

    Seven Seas to Calais

    Director

  3. 1960

1950s

  1. 1959
  2. 1958

    The Deep Six

    Director

  3. 1956

    Three Violent People

    Director

  4. The Rawhide Years

    Director

  5. Port Afrique

    Director

  6. Miracle in the Rain

    Director

  7. 1955

    The Far Horizons

    Director

  8. The Violent Men

    Director

  9. 1954
  10. The Siege at Red River

    Director

  11. 1953

    Forbidden

    Director

  12. Second Chance

    Director

  13. The Mississippi Gambler

    Director

  14. 1952

    Sally and Saint Anne

    Director

  15. Paula

    Director

  16. The Green Glove

    Director

  17. 1951
  18. 1950
  19. No Sad Songs for Me

    Director

1940s

  1. 1949
  2. 1948

    The Dark Past

    Director

  3. 1947

    It Had to Be You

    Director

Other crew 4

1940s

  1. 1941

    It Started with Eve

    Cinematography

  2. The Flame of New Orleans

    Cinematography

1930s

  1. 1932

    The Beautiful Sailor

    Cinematography

  2. Aren't We All?

    Cinematography

Produced 2

1940s

  1. 1948

    The Return of October

    Producer

Appearances1

1950s

  1. 1953

    The World's Most Beautiful Girls

    Self