
Lillian Schwartz is a pioneer in the field of computer animation. In the early 1970s, she became the official artist in residence at AT&T Bell Laboratories, IBM's Thomas J. Watson Research Laboratory and at Lucent Technologies Bell Labs Innovations where she would experiment with early computer graphics programs to create short works of film art. After studying traditional free-hand drawing while a nursing student at the University of Cincinnati, Schwartz became interested in incorporating technology into her artwork. Along with computer scientist Ken Knowlton, she helped create the image-generating programming language EXPLOR, with which she created many of her works in the mid to late '70s. In addition to her animation, Schwartz has also done research in the field of using computers to analyse the working methods of traditional artists such as Picasso, Matisse and Da Vinci by amassing large databases of their colour palettes and structures within their art. (from: http://www.undergroundfilmjournal.com/tag/lillian-schwartz/)
Pangloss
2015
Twirlinx
2014
AZTEC
2014
Mood Changes
2013
3-D Exotic
2013
X-STRIA2
2013
X-STRIA1
2013
Trois Visage
1977
Nino
1977
Mime Control
1977
Ensemble #2
1977
Juggler
1977
Ensemble #1
1977
Dancer 2
1977
Metamorphosis
1974
Mirage
1974
Innocence
1973
Googolplex
1972
Apotheosis
1972
Mutations
1972
Affinities
1972
Enigma
1972
Olympiad
1971
UFOs
1971
Pixillation
1970
Metamorphosis
1974
UFOs
1971






























