
Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks. As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.
Hungers
1987
Skin Matrix S
1984
Skin Matrix
1984
Sunstone
1979
Eclipse
1979
Dubs
1978
Sur Faces
1977
Self-Trio
1976
Family Focus
1976
Chrysalis
1973
Scape-Mates
1972
Thermogenesis
1972
Branches
1970
Carol
1970
Project Apollo
1968
Fusion
1967
Relativity
1966
Art Scene USA
1966
Scrambles
1964
Totem
1963
Thanatopsis
1963
Lifelines
1960
Dance Chromatic
1959
Transformation
1959
Sunstone
1979
Scape-Mates
1972

















































